John "Daisy" Dey

Daisy was a much loved and fondly remembered Willy Boy who tragically passed away at the peak of his often brilliant though all too short life. 

 

 

A Son, a Brother, a Mate.....a Willy Boy Born to Boogie!

 

 

 

Daisy's Willy in the 60s & 70s

"Smoke on the water, fire in the sky"

 

 

 

"You know you've had a good blow when there's blood left on the keyboard" - Daisy

 As told to Sammy Gadd after many a night of Boogie at the Hobos.

 

 

 

I used to walk down to Dougie Parade with John and he would stop and talk to absolutely everyone.  He would tell me to be more patient as he chatted away.  I swear it would end up a marathon just to get a few groceries.  But that was Daisy, loving and lovable.- Karen Dey

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

'Hey Hey We're the Monkees'

I was the self proclaimed president of the Williamstown Monkees fan club, being the only kid in Willy whose parents entertained such expenditure.  The fan club ( 4 members) met in our shed in Douglas Parade , and to my delight the Monkees came to Melbourne to play at Festival Hall.  I could be a year or so out now, but none the less,  I was in reach of seeing live, my idol Mickey Dolenz! Circus Boy and Drummer extraordinaire.  I asked my parents if I could go to the concert.  They thought about it and being fairly avant garde, agreed, if.....John took me.

  You know, many will wax lyrical about Daisy's generosity of spirit, his kindness etc. but at 14 years of age, a committed Rolling Stones and Jimi Hendrix fan, he was clearly not amused.  I can't say that he did it voluntarily or if he was forced by Mum, however, I do know that we got the train from Willy and disembarked at Festival Hall.  I was the envy of every kid in Sr Pauline's 6th grade at St Mary's.  We had amazingly good (depending on your perspective) seats.  I was wearing some cowgirl outfit (ok, I was 11 years old) that I had worn in a ballet concert, thinking I was the coolest.   John refrained from telling me how ridiculous I was (therein lies his generosity of spirit) but sat, arms crossed the whole time waiting for the concert to pass.  He did not complain, he hardly said "boo". We caught the train home in silence, me smiling.

This is a little tongue in cheek, but I would now like to propose that the Monkees concert had some bearing on Daisy's musical choices.  He once told me " There is no bad music, only bad musicians"...He had argued with me about how the Monkees were not a collective group of musos but some creation of a commercial enterprise that was out to just make money.  (Oh, way ahead of your time, my darling).  I could not buy it.  But, although the Monkees hold a special place in my heart (OK, I was the dancer in a family of musos!), I got it not too far from there.  He knew so much more than me. He saw it all with such clarity. - Karen Dey

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Daisy, Beez & the garden gnome!

One of my favourite memories of my times with Daisy was the night we accompanied two young ladies to a ball. I can't remember where the ball was (eastern suburbs somewhere I think), or who the girls were. I do remember we had a few too many shandies that night (just for a change) and Daisy was in party mode, he really did have a ball, which meant I couldn't help but have a great time also (I'm not so sure about the girls).

After the ball it was pretty late and we were all feeling a little tired and emotional and one of the girls lived close by and agreed to let us stay at her parents place where she lived. As we walked back Daisy noticed a huge gnome on the front lawn of a very impressive mansion. He had a great idea!!!

To cut a long story short I remember the two of us lugging this bloody great gnome down the street and placing it carefully in the middle of the front yard of a much more humble abode about ten to fifteen houses down the same street.

Daisy would sometimes ask me " What do you think happened to that thing? "

We eventually got back to the girls place. There was a fold up couch in the lounge room where we were told we could crash, what could go wrong?
All I remember after that is being woken up by some bloke (her father) going absolutely ballistic!!!
Telling us to get out now, get the #%#% out of here etc. etc.
It seems Daisy was a little peckish sometime during the night and had eaten the kids school lunch sandwiches etc which were all packed in nice brown bags on the kitchen table ready for the following day (that probably explained all the crumbs and scrunched up brown bags all around us). This didn't really go down well with dad but I think what really upset him was that Daisy had washed the lot down with his two bottles of Vic bitter that were in the fridge.

The upside to getting thrown out early was we had to get to the Newport dole office. This we did, together with our hangovers and tuxedos.

This was one of many great nights out with Daisy. He was a great mate, Great muso and great fun.  Gregory George (Beez) Beasley


*Pic of Daisy on the goanna about 15 or 16 years of age at the Ramsey Hall, Douglas Parade, Willy....Courtesy of Craig Williams

Southern Electric

 

 

LOBBY LOYDE - Guitar & vocals, JAMES D. THOMPSON - Drums, JANIS MIGLANS - Bass,

JOHN DEY - Keyboards, PAUL DIXON - Sax, clarinet, Mándu Vocals

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 In a letter to his ole mate Terry Smith, Daisy tells of life in London in 1977

Click on the Pic of Daisy to read the Letter....Thanks To Terry Smith

Lobby Loyde's 'Obsecration' on CD

Plus Extra Tracks including:

   Southern Electric's – Too Poor to Die EP(Previously Unreleased)

This Bonus Southern Electric EP also features  'Daisy' on Keyboards

 

'Obsecration'

Lobby Loyde: “We recorded Obsecration towards the end of 1975, but we only recorded on full moons over a period of three months”. “See, originally we were gonna call that album Full Moon Fever, but then we thought, ‘oh, it sounds a bit like mountain music, y’know, Kentucky moonshine music’. So then I came up with the title Obsecration.” sort of intense.”

After the unpleasant and, indeed, ill-fated break-up of the Coloured Balls at the end of 1974, Loyde cooled his heels, and by mid-year with a couple of allies in drummer Jimmy Thompson and sax player Paul Dixon was ready to hit the studio again. A solo single ‘Do You Believe in Magic / Love Lost on Dream-Tides’ was released on the the Bootleg label. Loyde, suitably revitalised and re-energised was ready to proceed. For his new band, dubbed Southern Electric, the guitarist eventually added two of his old Coloured Balls companions, rhythm guitarist Andrew Fordham and bass player Janis Miglans before rounding out the line-up with keyboardist John Dey and singer Mándu.

Obsecration features an incredibly eclectic and diverse assortment of music, all up a magnificent album of guitar explorations and textures, a thematic collection of riffs, runs, rhythms and timing shifts taking the listener through a wide range of moods and styles. If anything, it lacked a commercial focus but as we’ve seen Loyde was well and truly beyond working within commercial considerations at the time. One thing is certain: his beautiful, at times heavy yet always unique psych-rock guitar work is the main feature throughout.

The album was released in May 1976, on the Rainbird label. When Richard Branson heard Obsecration he wanted to release it on Virgin. Branson sent the company a few notes, saying he wanted the master tapes. What Lobby (who had moved to the UK ) didn’t know at the time, was that Rainbird had gone into liquidation. Despite that set-back, Loyde was able to take Southern Electric into Surrey Sound Studios with producer Nigel Gray in order to record tracks for a proposed EP release (previously unreleased, they have been added as bonus tracks to this reissue).
The reissue of Obsecration is packaged in a 6 panel digi-pak, with liner notes by Ian McFarlane and Glenn Terry, digitally remastered, has 6 bonus tracks and many rare photos.

Track Listing:

1. Obsecration Parts A to D
a) Play My Guitar
b) Obligato
c) Continuation
d) Legato
2. A Rumble with Seven Parts and Lap Dissolve
3. Rock and Roll Sunset
4. Dreamtide
a) Statement
b) Refrain
5. Goin’ to Louisianna
6. Congratulateonies

Bonus Tracks:

Solo Single – Bootleg BL-261, December 1975
7. Do You Believe in Magic (A-side)
8. Love Lost on Dream-Tides (B-side)

Lobby Loyde & Southern Electric – Too Poor to Die EP (Previously Unreleased)

LOBBY LOYDE - Guitar, keyboards (Gypsy in My Soul), vocals (Too Poor to Die), bass (Desperate for a Quid) JAMES D. THOMPSON - Drums JANIS MIGLANS - Bass JOHN DEY - Keyboards PAUL DIXON - Sax, clarinet ART REDBOURNE - Guitar, vocals (Gypsy in My Soul) CYPRA HELMER - Manic voice of despair (Too Poor to Die)

9. Gypsy in My Soul
10. Too Poor to Die
11. Desperate for a Quid
*12. Fist of Is
a) At the Colosseum
b) The Fist Falls

*'Fist of Is' is credited on the disc as a Lobby Loyde composition but as Daisy states in his letter to Terry Smith it is indeed his song and the highlight of the 'Too poor to die' EP!

Available NOW from Offbeat  

A benefit concert for Lobby, who is battling lung cancer was held on Tuesday, the 29th. Of August at The Palace

With the Aztecs, The Coloured Balls, Madder Lake, Tim Rogers, Axiom with Brian Cadd & Glenn Shorrock, Chain, Rose Tattoo, Broderick Smith, Blackfeather and more! 

Stay Tuned, More stuff coming soon...

                                                                                                                                    

  Take me home   All contributions to this site are greatly appreciated. offbeat@offbeat.com.au Please pass it on to all Daisy's mates. Webmaster: BUDA '06